Confession #2: When I Get to Saying

I am just about at the point of saying something.  When I get there, either watch out or pay attention.  Here’s what I’m thinking I will say: If you want to make an impression, be impressive.  If you want to get my attention, do something.  If you can’t decide what to do, tell me.  If you have something to say, say it.  Even if you don’t know exactly what to say, say that.  Tell me you’re trying to figure it out; it’s a start and starts always lead somewhere.

Why do I suddenly feel like a both 15-year-old girl and a 50-year-old woman at the same time?

You can e-mail, you can call, you can text, you can twitter, you can message, but what are you going to say?  What are you going to talk about?  Are you going to send me a deluge of facts about yourself?  Are you going to write me three sentences saying, “Hey, I’m contacting you.”?  Really?  That’s it?  Well, enough.  Give me some guts.  Give me some substance.

If you want to be pursued, be pursuant.

Here’s a bit of something about me.  When I’m happy to see you, I smile.  When you say something funny, I laugh.  When you write me, I write you back.  I am terrible at hiding my tell and I don’t really care.  I feel so much better being pleasant than coy, but would “I dare you” be a better option?

I have recently taken some of my own advice to be more communicative.  I have both dared and given clarity.  The results have yet to be fully analyzed.

Come Back to Me

I’ll admit that I published a confession not an hour ago and already removed it from the blog.

The fact is that I have been trying for about three weeks to remember the words to a Ghanaen song I learned once and tonight I made progress.  I have now successfully remembered one word and the first three measures of the melody.  Odjile.  That’s all I’ve got and I’m not even sure that’s the word I need.

I’d simply rather post about my memorable journey with F.K. than make more confessions at this point that could lead to great embarrassment and a plummeting into deep, regretful, humility.

Instead, I’ll just keep watching Hayor Bibimma videos, like I have for the past hour, trying to remember more.

Here’s a dance I learned the same summer I learned the escaping song.  It’s called the Gele and I believe has something to do with the “come on, I dare you” concept that has been in my mind lately.  Alas, it’s all related in the end.

Of All The Sizzling Ideas

The thought that stands out in my head this evening is, “I am a spirit.  I live in a body.  I have a mind.”  Since I was five, P.G.’s words have been ringing in my ears, reminding me that all these parts are meant to be there.  They all work together.  They all have a purpose.  And they all need attention.

I finally made it to a Bible Study tonight.  This is something I’ve been trying to do all year, but with my work schedule, family schedule, and getting out of town on the weekends schedule, it just hasn’t happened.

So after all my absences, here’s what I got into tonight:  My sister, a few other married ladies, one young gun, and myself met up tonight to discuss a book called “Lies Women Believe.” Let me just tell you, that title is all kinds of intimidating to me.  What’s more is that the lie we were covering this week was “Lies About Sin.” All I could think was, “I’m dead.  I’m so dead.  Just try to keep your mouth shut, Sommer.  If you are forced to say something, let it be in the lines of a hmm.”

But in the end, once we steered the young one away from big, blatant, horrible sins like murder and adultery, things that thankfully none of us struggle with, I came out alive–all spirituality and decency in tact.  I must believe that I am even better it–for speaking my mind, attaching my story to my beliefs, and listening to the challenges, questions, and love of these ladies.  Even though they are still so new to me, I was able to be humbly brave in their midst.

We openly discussed levels of sin, sins that can’t be forgiven, sins that are subtle, sins that are sneaky, and sins that just look like foolishness, but really stem from deep rooted lies that, yes, we believe as women.

And my mind sizzled.

So tomorrow morning, when I am running, practicing disciplining, I will also be praying in thoughts about growing in ever increasing glory.  All of this because I believe in being a spirit, living in a body, and having a mind.  Thanks, P.G. for molding my life even now so that I continue to seek the things that are most natural to my three-part being.

Confession #1: Pie Jesu

Sometimes I catch myself thinking, “GoodNIGHT! My husband is going to be so amazing!  I mean, check out the girl he’s getting.  He’s got to be amazing if he’s gonna get THIS.  I am all kinds of awesome, so it would make sense that he would be, too.  We are going to be a force of cool to be reckoned with.”

On Friday, I thought this when I turned up the volume on the radio to better hear Sarah Brightman perform Pie Jesu while I washed the dishes. This is the song, of course, Andrew Lloyd Webber wrote for his father with Brightman in mind, who at the time was his wife–but I’m sure you already knew that. Yes, I turned up the public radio station while I was washing dishes and thought, “Gosh, I’m cool.  My husband is going to be amazing.”

I can’t be certain why these two specific thought-vents occurred at the same time, but they did.  It happens every once in a while and I’m okay with that.

In other confessions, my next thought was, “If I die in the next five years, I know just who will be performing this at my funeral.”   I suppose it’s true that my mind is always a step ahead.

Here’s Ms. Brightman, Connar Burrows, and Mr. Webber:


Surround Sound

How was I to resist an April Fool’s Day 90’s dance party in Minneapolis?

It didn’t matter that my weekend officially started with an hour-plus drive.  My mini-cation took me through the nightlight city, down Polk Street, and finally to breakfast at Hazel’s–a special little homegrown, Minnesotan brotherly place quickly becoming a new Northeast favorite.  It was a perfect Friday-Saturday combo.  All smiles, hugs, laughter, the first dance moves I ever learned, and lots of too-loud-talking.

From the looks of things, I let go a little this weekend and who cares?!  My room is still piled with clothes I could have worn and I was forced (yes, epically forced by my Blackberry) to post an incomplete, not fully edited short story because I left my house in such a whir of excitement I didn’t take time to finish it or anything else.  I just quit everything.  All of the sudden, I was done.  (See yesterday’s post for more information.) I even went to work without doing a thing to my hair on Saturday!  Oh, the sweet elation of letting go.

Now, after a long shift at the mall, the sounds still surrounding my ears include, but are not limited to: ohmygoshsocuteIlovethisoneyesthatwasthephoneIhadlastyearwewereinItalyatthistime
Ican’tbelievetheymakewaffleslikethatwinkformorecoffeepleaseidareyou and of course, shoop eh doop.

(I’m also remembering why my sweet mother never let me listen to this music growing up.  Oops, I’m listening now.  In some ways, I’m glad I still don’t know all the lyrics.  😉  Do I dare insert a “haha” here?)

Mairian’s Photographic Dream

A toss of light stirred Mairian from her humble bedding.  White sheets slapped gently at the mattress as she flipped her head to the foot of the bed, back to stomach and a poof of down.  Mairian breathed in the cotton and held on.  This was her favorite breath.  The first conscious one of the morning.  It was an agreement with herself and with the light–an agreement of intention.  Insert: a settling release of air.

One more twist and she was sideways on her bed with her black, full hair falling off one side and her bare feet off the other.  She wanted back the days when nothing went falling to the floor when she went sideways on the bed.  And yet, there were days when she felt just that small no matter how much dust she swept with her hair.

The light was elegant in the morning at Mairian’s sea-salty house–boards dry and soaked at the same sight.   Unlike the dancing light of fairies bouncing from corner to corner, each movement here was slow and thoughtful.  Mairian’s light drew long, thin lines of tapestry down her greying walls.  Mairian’s light placed slippers on her feet.  It played the quietest silent movie music in her head.  Mairian’s light took her hands and told her, “Spin.  Spin up and out of bed.”

There was a bloosh of white linen falling at Mairian’s ankles.  Cold feet on cold, grey boards while the light whispered sweetly a beckoning.

Mairian left her doorless, empty bedroom–also her dinning and ball room–for a lonesome staircase to following the promise of rapturous light.  The walls of her staircase fell away–those ever inconsistent walls.  She turned left at the landing, now open to the morning rising shyly from the distant sea.  She peered out and around the wall-less, glass-less window.

No more grey of dreams, Mairian’s light drew up great, thick and spongy, green moss.  Green like mystery.  Green like boys playing marbles.  Green like monsters at the bottom of the sea.  Green like surety giving itself a pep talk.  Up and over hills and all the way to her windows, the moss came, turning over itself into complicated braids, the light pulling and tugging from every corner.  “Alice would surely be lost in a moss like that.”

And the house blew away from her mind.  There was no other moment than this one of peaceful, natural eloquence.  There was no need to scrub or tidy or fill any space with remnants of dreams or half-met desires in the form of pies or piano keys.  There was no need to sing old songs of lovelornity.  There was no need to experience any other emotion that the one of light and slippers and green moss.

“A photograph.  Wouldn’t it be nice to have a snap of this perfectly winsome moment to hold on to and refer to tomorrow when the sun does not rise quite the same?”

Mairian reached around the staircase to an old wooden drawer and took out a handy bit of metal filled with plastic and silver.  She held of the worn camera to her umbrian eye.  Click, ck-sh, kish.  But the click was empty.  Mairian set the camera down and picked it up again.  Kish.  Empty.  A broken camera; a dissolving photo.  Everything was slipping away.  Slowly and silently.  Walls to air.  Photographs to memory.  Memory to moment.  The sunrise and the green, braided moss, and the smell of the shy sea were all instantly present and unpresent at the same time–lost in the siren of longing.

When her photograph would not come, Mairian stayed there on the landing.  She stayed to dishearteningly freeze time.  And the few seconds of clicking replayed and replayed.  Replayed.

Clickish.   Nothing.  A picture of the brink of acceptance.  A toss of light stirred Mairian from her bed.

April Fool’s Wine

April Fool’s!!  I have no post for today except to say that I have not as much Tommolo Montepulciano d’Abruzzo as I did earlier on March 31, 2011.  And I feel like I might throw up.

In related news, I might have a post for April 2, 2011 based on the amount of Tommolo Montepulciano d’Abruzzo I drank March 31, 2011 and the fact that I found a beautiful piece of music called The Wolves and The Ravens by Rogue Valley.

At the end of the four album saga of the seasons, this Minneapolis band (Chris Koza) writes, “In the morning by the sea/as the fog clears from the sand/I have no money in my hand/I have no home, I have no land//But it doesn’t trouble me/as I lay beside the fire/I am easy to inspire/there is little I require//I wasn’t yours and you weren’t mine/Though I’ve wished from time to time/we had found a common ground/Your voice was such a welcome sound/How the emptiness would fill/with the waves and with your song/People find where they belong/or keep on//Through the never ending maze/where the way is seldom clear/there is no map or compass near/I drive a ship I cannot steer/through the bleak and early morn/where a stronger will is sworn/where the moments move so slow/and seem to never let you go//When my hands are old and ache/and my memory flickers dim/and my bones don’t hold my skin/there’s no place I haven’t been/I recall the days were few/that is all that I can do/I feel the carvings in the tree/that gives shade for you and me.

100 Posts in 2011: An Organization of Intake

Today is my 100th post in 2011.  Already this year has had its challenges and its joys, and I’m sure there will soon be more of each.  Already, I’m feeling more engaged in my life and my thought processes just by keeping Naphtalia up to date.  Here’s a little more detail about my categories and pages to help you understand how I’m organizing my intake of life:

Music: This is my truest self.  Most of the music featured here is original, but as we saw in “Come On, Love” there are always going to be covers covering the bases.

Dovetails: A dove tail is a woodworking term used to describe the fitting of two pieces of wood together.  One piece looks like a dove’s tail and the other piece looks like the cut out of a dove’s tail.  This allows the pieces to lock into place.  Dovetails is basically the idea of “two and two together.”  I use this category when I have a moment of “why didn’t I think of this before?” or a really applicable quote for my present day self.

Fiction or Not: When I was in high school, we had a course called “Fiction/Non” and I always really liked that title.  It made me feel like the teacher wanted to keep us guessing about which piece was fiction and which was non-fiction.  I use this category when I’m writing a piece that includs fictionalized portions of myself, my friends, my imaginary characters and/or real life versions of those people.  I like to group my fiction and non-fiction writing because I feel the two meld so much in real life anyway.  There are many things that we imagine that end up true and many imaginations we have that may as well be true based on how firmly we act on them.   Like the physical and spiritual, I often see fiction and non-fiction tugging on a very thin line.

Shots: These are mostly photos that I took myself in my various life moments and travels.  I try to title them, but sometimes I don’t as exemplified in “my title #1” and “my title #2,” which really is a title itself when I think about it–I’m just keeping the story to myself because I can’t share absolutely every thought.  I have to save some.  If I didn’t take the picture, I always try to credit it if I know the source.

In my queue now are 15 drafts of poems, stop and start thoughts, confessions, and one short story about a girl named Mairian.  I’ll be taking the next 9 days off from posting so that I can write, edit, delete, and re-create.  Be watching for a new Naphtalia on April 1, 2011!

And now may the peace of the Lord Christ go with you: wherever he may send you; may he guide you through the wilderness: protect you through the storm; may he bring you home rejoicing: at the wonders he has shown you; may he bring you home rejoicing: once again into our doors.

Love come to you, Naphtalia

Seduced A Little Every Day

Connecting the dots of my online community today, I found a picture of myself being seduced a little every day.  I started with a friend’s post about how she had been published by Ruminate magazine.  This led me to a blog by a Ruminate contributor who mentioned a desire to be seduced a little every day by the compact moments of beauty that arise.

Of course, she hadn’t come up with this clever phrase, but had been inspired by a fashion icon and photographer called The Sartorialist who used this phrase in a short film.  The Sartorialist was discussing the impact of living a truly visual life.  He talked about how he spends four or five hours every day really looking at people and finding those most natural moments of beauty to capture on film and post on his blog.  He doesn’t look for a lot of great photos, he just keeps his eyes open for the good ones.

This, of course, reminds me of Amy March–You only need one as long as he’s the right one--and I find myself connecting all the little dots I love.  Art, interaction, community, love, whimsy, and belief.

Ways I was seduced today:

* the determination on B’s face as she discussed her ongoing struggle with administration’s approval of her play

* the “you’re ridiculous, but we accept you and laugh anyway” look of six sophomore guys as I told them stories of my high school self

* the shimmering blond of a 3 year old’s hair as she took my hand and led me to my dinner chair

*the complete darkness of my basement when the pre-bedtime movie finished and no one got up to turn on the light

*the fact that M. took 15 minutes to catch up on the phone even while she was shopping for a new wardrobe

I only need this life I live in order to be seduced a little every day.

NPR, Rilke, and World View

I believe in coming full circle and ending up in an entirely different place that feels just as comfortable as the first place.

In the first place, I was driving to church on a Sunday morning while NPR read Rilke poems and suggested we all take a look at the world through a poetic lens instead of a fact and figures lens. (re: oil spills and other environmental disasters)

In the second place, I was sitting on the couch with C. discussing when homeschooling is appropriate and more desirable than public schooling and how the government offers public schooling at home now, suggesting the homeschool-er needs the same curriculum as the public school-er.

In the third place, I was roused out of my comfortable non-confrontational self to say that sometimes we need public school at home and sometimes we don’t.  There is a line in each of our lives that we best watch for, adhere to, etc.  Ideal is not ideal if it doesn’t deal with the current I.

In the last place, I do value facts and figures, but I do so much more easily view the world poetic line by poetic line.  Well, it looks like I’ve come full circle, but I don’t think I arrived in a new place this time.  I guess I will just keep circling.

“I live my life in growing rings
which move out over the things around me.
Perhaps I’ll never complete the last,
but that’s what I mean to try.
I’m circling around God, around the ancient tower,
and I’ve been circling thousands years;
and I still don’t know: am I a falcon, a storm
or a great song.”

Rilke

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