Music Is My Nature

Sometimes I forget, in the business of teacher life, that music really is my home base.  I find myself centered after singing, playing, or writing.  It could be a performance or even a long rehearsal, but as long as I’m in the music, my self becomes balanced again.

The Cross centers me, likewise communion and reading God’s word.  But when there is no room to weep, no wine around, and no Bible in my hands, there is music.  It becomes my direct input, built in from the start, from my Creator to my Creator.  It’s God saying, “I’ve got this; you’re good to go,” which is often just what I need to hear, feel, know.

120 students depending on my leadership, my open arms, my positivity, my knowledge, my precision, my support, is a real feeling to me.  In this, it is easy to feel like I have to be intense and driving hard for excellence 100% of the days.  This is stressful.  How can I be so on point so often?  I certainly can never be perfect.  I can’t say all the right things at all the right times.  Or plan a world-changing lesson.  All I can do is step into the music around me and let everything else, including all my pieces, fall into place.

I am dumfounded that I can forget such a simple truth.

Today, I had a moment of doubt just before picking up my baton.  I doubted myself.  Could I really conduct this group, completely new to me, through a successful and profitable rehearsal?  Would I be enough for them as a leader?  I was succumbing to the pressure of my work and even my heart’s desire to be good.  And not good in the sense of accomplished in my tasks, but good in the sense of worthy and worthwhile to have in the room.  Good in the sense of good-natured and inviting.  I took a breath and decided that no matter what the outcome, I was in it for real and for good, for there simply had to be good at the double bar line.

Beat 1 was enough.  I clicked into my true nature.  Musician, interpreter, believer.

Life In 3 by 5 Cards

I really do live my life in 3 by 5 cards.  The above 3 examples are the result of tonight’s planning storm for the 2011-2012 choir year.  I have two high school choirs and three middle school choirs next year.  That’s a whole lot of repertoire.  I will tape these cards to my desk and find the best set of music I can for each group.

Earlier today I started digging through 50 years of choir music at the high school.  One quarter of the library is now covered in color-coded sticky notes.  Pink notes designate music cabinets that need new folders and new catalog number assignments due to illegibility and degree of askewity (if you will).  Yellow notes designate music that is labeled in a legible fashion and in order.

If I stick with the sticky notes, I may not need to order that much music this year.  I might be okay with singing music from the 70’s if we can do it from new student folders.  Well, maybe not.

Any lovely choir songs you once sang and still sing in secret?

Here is one of my favorite high school choir songs.  It’s a well-known, beautiful, piece of American choral literature by Aaron Copeland, “Zion’s Walls.”  Singing this song, I believe my junior year, made all the difference.

This is the Last Song

After 40 minutes of flirting my way through an external hard drive purchase at what I like to call “The Buy More” (what fun), I came home with a new pair of head phones for $15.  Why not throw in a little extra after the big purchase?  These headphones were never meant to awaken my soul.

I put them on.  They worked.  I put them on again and realized they were activating a sound space in my head that only opens when I perform live with a band.  Right behind me, in the back and center of my skull I heard open air and drums.  Just a slight pan as the drummer passed his sticks over the toms and kicked in the bass below.  A little ringing of the ride, a snap of the snare.

I was on stage.  I was alone.  I was belting before a crowd.  I was running.  I was singing, “THIS IS THE LAST SONG THAT I WRITE ‘TILL YOU TELL ME OTHERWISE.”

And I just kept on writing the last song.

In the Meantime

freshman year, Wheaton College, still applies

Yet another huge year for me was 2001.  I dove into Wheaton College not knowing what I was getting myself into.  I came from a small town without much background in studying hard or studying the challenging issues.  I just wanted to be smart and well-educated and I figured Wheaton could help me out.

But then I arrived to find my classmates already studied up and opinionated.  I thought, “I am doomed.  If I must say something let it be along the lines of a hmm.”  And while I struggled with my head, heart, focus, and desires (like most other 19 year olds), all I truly sought was peace and steadfastness.

We don’t always see peace coming, but it comes.  Mine arrived little moment by little song.  I began to hear God’s voice singing quietly and gently over my bed at night.  This was a welcomed contrast to the singing, jumping, spinning and dancing God I learned as a teenager (Zephania 3:17).  I didn’t relate to that God.  No, I needed God in lullaby form and He knew it.  And in His great love and enjoyment, God sat with me, delivering me peaceful notes.

The handwriting that you can’t read at the bottom is the following verse from God Moves In A Mysterious Way, a hymn that quickly became a favorite in 2001 and hasn’t moved from such a place in my heart:

His purposes will ripen fast, unfolding every hour.
The bud may have a bitter taste, but sweet will be the flower.

I have a whole new set of struggles these days, ten years later.  I have a whole new understanding of seeking peace.  And although I never know exactly what is in store for me next, I know that God reveals his purposes in good and appropriate time.  I have seen it again and again.  When bitterness touches my tongue, I know that sweetness will eventually rise in all my senses.  And in the meantime, Can I call you Father?


I did record this song with R.M. and some lovely, patient Wheaton guys that year.  We ended the piece with the hymn.

April Fool’s Wine

April Fool’s!!  I have no post for today except to say that I have not as much Tommolo Montepulciano d’Abruzzo as I did earlier on March 31, 2011.  And I feel like I might throw up.

In related news, I might have a post for April 2, 2011 based on the amount of Tommolo Montepulciano d’Abruzzo I drank March 31, 2011 and the fact that I found a beautiful piece of music called The Wolves and The Ravens by Rogue Valley.

At the end of the four album saga of the seasons, this Minneapolis band (Chris Koza) writes, “In the morning by the sea/as the fog clears from the sand/I have no money in my hand/I have no home, I have no land//But it doesn’t trouble me/as I lay beside the fire/I am easy to inspire/there is little I require//I wasn’t yours and you weren’t mine/Though I’ve wished from time to time/we had found a common ground/Your voice was such a welcome sound/How the emptiness would fill/with the waves and with your song/People find where they belong/or keep on//Through the never ending maze/where the way is seldom clear/there is no map or compass near/I drive a ship I cannot steer/through the bleak and early morn/where a stronger will is sworn/where the moments move so slow/and seem to never let you go//When my hands are old and ache/and my memory flickers dim/and my bones don’t hold my skin/there’s no place I haven’t been/I recall the days were few/that is all that I can do/I feel the carvings in the tree/that gives shade for you and me.

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