Mairian’s Photographic Dream

A toss of light stirred Mairian from her humble bedding.  White sheets slapped gently at the mattress as she flipped her head to the foot of the bed, back to stomach and a poof of down.  Mairian breathed in the cotton and held on.  This was her favorite breath.  The first conscious one of the morning.  It was an agreement with herself and with the light–an agreement of intention.  Insert: a settling release of air.

One more twist and she was sideways on her bed with her black, full hair falling off one side and her bare feet off the other.  She wanted back the days when nothing went falling to the floor when she went sideways on the bed.  And yet, there were days when she felt just that small no matter how much dust she swept with her hair.

The light was elegant in the morning at Mairian’s sea-salty house–boards dry and soaked at the same sight.   Unlike the dancing light of fairies bouncing from corner to corner, each movement here was slow and thoughtful.  Mairian’s light drew long, thin lines of tapestry down her greying walls.  Mairian’s light placed slippers on her feet.  It played the quietest silent movie music in her head.  Mairian’s light took her hands and told her, “Spin.  Spin up and out of bed.”

There was a bloosh of white linen falling at Mairian’s ankles.  Cold feet on cold, grey boards while the light whispered sweetly a beckoning.

Mairian left her doorless, empty bedroom–also her dinning and ball room–for a lonesome staircase to following the promise of rapturous light.  The walls of her staircase fell away–those ever inconsistent walls.  She turned left at the landing, now open to the morning rising shyly from the distant sea.  She peered out and around the wall-less, glass-less window.

No more grey of dreams, Mairian’s light drew up great, thick and spongy, green moss.  Green like mystery.  Green like boys playing marbles.  Green like monsters at the bottom of the sea.  Green like surety giving itself a pep talk.  Up and over hills and all the way to her windows, the moss came, turning over itself into complicated braids, the light pulling and tugging from every corner.  “Alice would surely be lost in a moss like that.”

And the house blew away from her mind.  There was no other moment than this one of peaceful, natural eloquence.  There was no need to scrub or tidy or fill any space with remnants of dreams or half-met desires in the form of pies or piano keys.  There was no need to sing old songs of lovelornity.  There was no need to experience any other emotion that the one of light and slippers and green moss.

“A photograph.  Wouldn’t it be nice to have a snap of this perfectly winsome moment to hold on to and refer to tomorrow when the sun does not rise quite the same?”

Mairian reached around the staircase to an old wooden drawer and took out a handy bit of metal filled with plastic and silver.  She held of the worn camera to her umbrian eye.  Click, ck-sh, kish.  But the click was empty.  Mairian set the camera down and picked it up again.  Kish.  Empty.  A broken camera; a dissolving photo.  Everything was slipping away.  Slowly and silently.  Walls to air.  Photographs to memory.  Memory to moment.  The sunrise and the green, braided moss, and the smell of the shy sea were all instantly present and unpresent at the same time–lost in the siren of longing.

When her photograph would not come, Mairian stayed there on the landing.  She stayed to dishearteningly freeze time.  And the few seconds of clicking replayed and replayed.  Replayed.

Clickish.   Nothing.  A picture of the brink of acceptance.  A toss of light stirred Mairian from her bed.

Writing in the Shower

Saturday and Sunday evening found me in great irritation.  Despite my goal of making 2011 a more restful year, all the life happening lately was putting me off.  Instead of my reading and writing, I’ve wanted to nap, watch TV, and eat popcorn for the last two days.

I said to my sister, “What’s wrong with me?!” She said, “Nothing.” And it was simply that–nothing was wrong, but that I needed a break.  I needed to quiet my mind and really listen to a part of me that needed attention.  It was that part that sometimes gets misinterpreted when it speaks, turning me to TV and popcorn and avoidance behaviors.

“Where is my quiet place today?” I asked myself.  I heard, “Take a shower.  Let’s start there.”

I breathed in, and in, and in, then finally out into the steamy tile.  Here is what my tiny voice said:

 

I held what words I could in my mind until I could get upstairs, put water on to boil, and a get a pen in my hand.  While the pot wheezed and the kitchen remained a mess, I sang the lines above to absolutely no one but myself.  The pen slipped across the page; my irritation slipped out of my heart.

Well, that’s done and I feel better.  Does this poem-song of sorts mean something significant?  Is it life-changing?  Is it mind-blowing or on its way to a Pulitzer?  Is it even true?  If nothing, it is peace-bringing.  If everything, it is taking care of myself.  I took a shower, I made a cup of tea, and I wrote down a few words on a piece of paper.

How did you take care of yourself today?  How will you take care of yourself tomorrow?

Here’s the poem if you can’t read my hurried handwriting:

There is a color, color,
a color in my mind.
It is a mist-
misty, morning white.

There is a sound, sound
awakening my ear.
It is a vacant, lot that’s
lost its grandeur.

There is a touch, touch,
at my fingertips, a touch.
It is a sharp blade of grass
I love too much.

There is a smell, smell,
drifting up my nose.
It is a wild, white,
Canterbury rose.

There is a taste, a taste,
sweet and bitter on my tongue.
It is a man who has
already come and gone.

Winter Tree

I am walking.  It is early and the December air is pushing hard against my eyes.  If I ever saw a morning of wintry resignation, this is it.  The trees jut from the hills as frozen investments in the quiet loneliness of winter.  There was no escaping the falling of fall and there is neither no escaping the burning cold of this season–nor the separation from the rest of the world.  Up here in the forests of Northern Minnesota, winter puts a stop on just about everything.  November through March; I must be accepting, too.

I once walked this hill on a rare, 85 degree afternoon in late September.  (Everybody writes that, don’t they? Oh, the inspiration of an Indian summer day.)  It hadn’t rained for weeks.  (It is true, I swear.)  A bunch of leaves had fallen and their crushed lives twisted and swirled up to my nose as I kicked down the path; I kept sneezing.  If I sneezed today, I would get a nosebleed.  The air is exponentially thinner and more dangerous today.  Too much reaction and I’m done for.  Open my eyes too wide and I will cry.  Open my nose, take off my gloves, and my skin will crack.  I will bleed.  Open my mouth at all and I won’t be able to breathe.  Winter can be ironic.  I am bundled up in the best that I can do.

One step, two step, three step, four–what if I don’t walk anymore?  What if I stand here like the trees and let my insides freeze?  I am already numb in my fingers.  I could easily let the chill sink in, sink through me.  From skin, to muscle, to vein and bone.  Let winter become me, let snow come into me.  Or become a tree at least.  If the trees stoically believe in the coming spring, believe in it so strongly that they calmly submit each year to winter’s battering, can I not do the same?  There is a beautiful mystery in this, I am certain.  I’ve decided to stand still for a moment and give it a try, right here beside a frozen river.  I will try to find the place of mystery.

I am standing now in the middle of a history of giant trees who have stood centuries winters.  Snow begins to fall.  I hear barely nothings–a stark difference from the sweet nothings of summer.  Barely flake against flake.  Barely rustle of nylon pants.  Barely thoughts.  I hear the starts of thousands of words, but I can’t catch the endings.  Perhaps it is because endings are so heavy that not even the strong winds of winter can carry them.  Arduous–that is the word I keep hearing about endings.  Or perhaps I am hearing a beginning.  Beginnings are much lighter things to carry.

Could that indeed be spring singing out so gently?  I strain my ears to hear something more.  The wind begins to whistle now and I close my eyes so quietly; I do not want to disturb the unexpected peace I am finding as I become a tree rooted in winter.  I do not want to disturb the hope of my investment.

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